POGUE: And I guess the last thing, we should talk about the view port.
RUSH: So the view port is seven-inch-thick plexiglass, acrylic, and that’s another thing where I broke the rules. A lot of the submersible industry is run by Pressure Vessels for Human [Occupancy] standards, which acts like a standards body, but it’s not a standards body; it’s a volunteer group that has come up with some rules.
And there was a very well-known person, Clarence Statue (PH), was, like, the king of acrylic. And so he wrote a book—well, he had several books, but one of these is sort of the Bible. And even he admitted that he was super conservative. It has safety factors that—they were so high, he didn’t call 'em safety factors, he called 'em “conversion factors.”
You know, for most things, safety factors are one-and-a-half, two-and-a-half…and it’s four to ten. And most of what he was looking at was lower-pressure applications. And so when you look at the charts, we’re off the charts.
One of the things about acrylic that’s really great is, before it fails, at one-third its failure pressure, it will start to “craze.” So it’ll often be distorted. So you know when that thing’s gonna fail. And so when I was looking at this, that view port is—according to the rules, it is not allowed.
So there’s these weird rules that are out there.
It will shrink. It’s a semi-solid, the plexiglass; it’ll come into the cabin by about three-quarters of an inch—all of the pressure that’s there.
POGUE: Oh, man. And that’s a good thing?
RUSH: Well, that’s what it is. But the great thing about plexiglass that I love is, you can see every surface. And if you’ve overstressed it, or you’ve even come close, it starts to get this crazing effect.
POGUE: Okay. And if that happened underwater—
RUSH: You just stop and go to the surface.
POGUE: You would have time to get back up?
RUSH: Oh, yeah, yeah, yeah. It’s way more warning than you need.

A view through the Titan’s observation window.